Transfer Console FTC 84
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The Lafont Audio Labs FTC84 Transfer | |
Console is a dedicated Film / Audio-Video | |
Post Production tool designed for use | |
in the machine room. Its high gain audio | |
structure (+27dB) makes it adequate | |
for any format transfer. (Digital, Mag, or | |
any other analog storage medium used | |
in the audio for picture industry.) | |
The FTC84 is both compact and versatile, based on an in line concept. | |
The standard frame accepts 9 I/O modules, each carrying 2 input strips. | |
A 9 strip (18 channel) 8 bus / 4 monitor standard frame is fitted in a 19" rackmount | |
housing. The meter bridge is located in a separate rackmount unit and includes | |
the power supply. Interconnection is done through 7 x 56 pin EDAC connectors - 6 for audio and 1 for the power supply and meter bridge. | |
Custom versions are also available on request. These include a double size 18 strip | |
(36 channel) table mount version, and a relay selectable double input version for | |
screening theaters. | |
Click here for detailed drawing
The first 8 input strips include a group (bus) output with a calibration potentiometer. |
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of the 8 groups via routing switches. |
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be routed to a 4 channel (LCRS) monitor matrix.This section facilitates FILM/BUS |
monitoring of the recorder tracks. Each monitor return section includes a calibration |
potentiometer. |
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switch (-10dB or +4 dB), a phase reverse, a Tone Switch and switched insert point. |
The Tone Switch is used to bring a tone from the oscillator directly in to the module |
without patching. The insert send is unbalanced and the return is balanced. |
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with a high luminosity LED, and a fader switch to allow calibration of the channel. |
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or a 100mm conductive plastic fader version for horizontal use. |
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It includes - from top to bottom - a 3 frequency oscillator, a phase meter source |
selection (L+R or C+S), a master LCRS monitor and VU calibration, |
an AFL solo level control, a headphone control with LCRS source selection |
and BUS / FILM tape monitoring. |
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control, a talk to bus (slate) switch with a 30Hz tone insertion, a monitor level control, |
a monitor mute switch, a remote access to mute and talk, and a headphone jack. |
The Meter Bridge
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and an LED bargraph phase meter graduated from 1 to 180. |
The meter bridge also houses the talkback microphone and the power supply. |
Chicago Audio Works - Chicago
Lafont FTC84 LCRS Transfer Console. The 18 channel machine room console is configured with a unique combination of switched stepped attenuators and conductive plastic faders, which are installed in a separate 19" rack. A set of custom switches are installed to facilitate switching between the faders and the stepped attenuators as required.
Creative Café - Hollywood
Lafont FTC84 LCRS Transfer Console. The 18 channel, 8 bus Transfer Console is configured with conductive plastic faders and is installed in the machine room.
The Walt Disney Company - Burbank
3 Lafont FTC84 LCRS Transfer Consoles. Two specially designed custom 24 channel configurations, one with stepped attenuators and one with P & G faders. The third is a standard 18 channel configuration.
Todd-AO - Hollywood
One custom 24 channel transfer console fitted with 4 double line input modules with monitor return path and 8 standard double line input modules, providing a total of 24 channels.
Skywalker Sound (Lucasfilms) - San Rafael
One standard 18 channel transfer console.
Paramount Pictures - Hollywood
One custom 18 channel transfer console with stepped attenuators.
AstralTech - Montreal
One custom 24 Channel transfer console and one standard 8 channel transfer console with custom relays.
Sony Pictures - Hollywood
One standard 8 channel transfer console.
Sound One - New York
18 channel 19" rackmount frame, short loaded to 8 channels and desk mounted for this particular application.